Miradas

In Miradas, the eye becomes a living form—and a way of asking how we perceive. Painted in acrylic and massed into dense networks of gazes, these works hold that no two people ever see the same thing the same way; each of us filters the world through our own memory, mood, and attention. The eyes ask more than they reveal, turning your attention onto your own gaze and onto how perception itself shapes the reality we think we know.

Plenitude (2026) by Edward Telleria, acrylic on canvas: a red-skinned figure with an owl and a dog on his shoulders and a snake, beside an upside-down figure with purple hair, against a field of painted blue eyes

Plenitude / 2026

60 x 60 in

Acrylic on canvas

$6,000 USD

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Process

Edward Telleria in his studio beside Plenitude at the drawing stage, the figures sketched in white on a blue canvas
Edward Telleria painting the figures of Plenitude in his studio, early color stage
Edward Telleria seated at the easel, painting the central figure of Plenitude
Edward Telleria seated at the easel, painting the central figure of Plenitude
Edward Telleria adding detail to Plenitude, nearly finished, in his studio